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American Showstoppers: Cy Coleman

Based in: USA
Show Code: cy-coleman
Artist: fredbarton (See All Shows)

The legendary Cy Coleman composed some of the most high-octane, brassy Broadway scores ever written, including Sweet Charity, Seesaw, Little Me, Barnum,The Will Rogers Follies, and Broadway’s ultimate big-band swing show, City of Angels.

Fred Barton, collaborator with Cy Coleman on three of his productions, now brings the powerful pulse of Coleman’s Broadway sound back where...

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The legendary Cy Coleman composed some of the most high-octane, brassy Broadway scores ever written, including Sweet Charity, Seesaw, Little Me, Barnum,The Will Rogers Follies, and Broadway’s ultimate big-band swing show, City of Angels.

Fred Barton, collaborator with Cy Coleman on three of his productions, now brings the powerful pulse of Coleman’s Broadway sound back where it belongs, front and center, with a team of expert Broadway performers backed by the Fred Barton Orchestra.

“American Showstoppers: Cy Coleman” spans the decades of Coleman’s versatile career, from his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
The Fred Barton Orchestra and the “American Showstoppers” concerts are dedicated to the classic showstopping songs of Broadway and Hollywood’s Golden age, and to today’s performers who know how to stop shows with them.

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From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
American Showstoppers: Cy Coleman
From his earliest jazz standard songs (“The Best Is Yet To Come”), through his biggest Broadway hits, to his last major score (The Life).
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American Showstoppers: Cy Coleman
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